Sublime: Dirty Like an Angel
Directed and written by Catherine Breillat
Produced by Pierre Sayag, Emmanuel Schlumberger, Nella Banfi, Robert Boner, Alessandro Verdecchi
Starring Claude Brasseur, Lio, Claude-Jean Philippe, Nils Tavernier, Roland Amstutz, Léa Gabriele
Lust is the fillip that incites indiscretion, aggravates acrimony and effectuates love, irrevocably altering the relationship of two sexist detectives: a gruff senior inspector (Brasseur) whose failing health actually prompts a youthful impetuosity, and his handsome, miscreant subordinate (Tavernier) neglecting his pristine, pulchritudinous trophy wife (Lio) whilst relentlessly whoring. When a drug dealer whom the former has long befriended secretes himself after cozening his rivals, the aging investigator assigns his inconstant junior to guard this fugitive's family as he pursues his marital treasure, whose desolation may impel her to receptivity. Despite her characters' concupiscence and vulgarity, Rohmer's idiom is palpable in the thoughtful and realistic deliberation of Breillat's final contrivance in concern of flics, handily juggling the drama of both police procedure and assignations as she delineates them beyond initial expectations; Brasseur's cantankerous cop unearths a dormant, uncharacteristic tenderness, and Lio plays the demure object of his jaundiced affections as neither a retiring mouse nor one of Breillat's usual brooding coquettes. Both the weathered leading man and pop star turned histrionic neophyte do their immersive script justice, rendering mutual seduction to adoration through vituperation with praiseworthy plausibility. Autumnal Paris's cozy milieu and a potentially inceptive conclusion amplify the perverse appeal of this lubricious dissentient's most restrained project to date.
Recommended for a double feature paired with 36 Fillette.